Search Results

726 photos of my cat, Iris Fu Photography, 2023. See the Artist Request Usage

Digital Photography Beyond Me, Ian O'Hara Digital Photography, 2023. in the context of queer trauma, the ending is never good, Iris Fu Photography, 2022. In the Name of, Juri Kim Digital Photography, 2023. Autopilot, Ian O'Hara Photography, 2023. 726 photos of my cat, Iris Fu Photography, 2023. (i'm sorry), Iris Fu Photography, 2022. Senior Portraits 2099, Ian O'Hara Photography, 2023. Browse by Artist Derek Sun Ian O'Hara Iris Fu

Mixed Media American Baggage, Kierra Reese Watercolor, graphite, collage, 2023. Dinner at Wangchao Teppanyaki, Matthew Yu Maobi, oil pastel, watercolor, gouache, paint marker, white ink, yinzhang, fountain pen, 2023. Liminal Laundromat, Merritt Crumpton Cast iron, reclaimed fabric aprons and quilts, 2021. Unfolding, Irene Ho Paper, color pencil, conte crayon, 2023. Guardian of the Land, Irene Ho Gesso, acrylic, yarn, rope, conte crayon, sand and dirt from Taiwan, my footprints, 2023. The Arrival of a Train at 25 O'Clock, Matthew Yu Maobi, watercolor, gouache, paint marker, white ink, yinzhang, fountain pen, colored pencil, 2023. The Couple at Yong Kang, Matthew Yu Oil pastel, watercolor, yinzhang, fude nib pen, fountain pen, colored pencil, 2023. Nature's Network, Irene Ho Watercolor, poster color, color pencil, procreate, 2023. Browse by Artist Kierra Reese Merritt Crumpton Matthew Yu Irene Ho

In the Name Of, Juri Kim Photography, 2023. See the Artist Request Usage

in the context of queer trauma, the ending is never good, Iris Fu Photography, 2022. See the Artist Request Usage

Performance Art Love as Seclusion, Iris Fu Photography, body paint, 2023. Nutrition Pt.90, Iris Fu Photography, undeveloped film, 2022. this is not supposed to be a representation of my home, Gray Baker Brown craft paper, paint and charcoal, collage, yarn, broken objects that would fill a home, LED lights, a plaster cast of the artist's legs, and a monitor playing a video of the artist in the early stages of creating the environment, 2023. Write a Letter You Can't Send, Cynthia Zhou Cotton, thermochromic paint, 2022. IV, Dana Colston. IV pole, clear vinyl, thread, flex tape, oobleck (cornstarch and water), 2024. And the Other is a Beast, Cynthia Zhou Oil paint, linen, 2022. Browse by Artist Iris Fu Cynthia Zhou Gray Baker Dana Colston

Rite of Passage, Irene Ho Watercolor, poster color, ink, 2022. This portrait captures the resilience of Taiwanese indigenous women adorned in traditional marriage clothing, a composition inspired by a profound encounter with old photographs depicting their early marriages, stirring reflection on societal roles. Processed with ink and desaturated colors, the artwork emanates a solemn and nostalgic atmosphere, inviting viewers to contemplate the impact of early matrimony. The attire, intricately crafted by mothers, not only pays homage to the matriarchal traditions observed in indigenous communities, as explored in the previous piece, but also prompts a thought-provoking exploration of reversed roles, immersing the viewer in the emotional echoes of these women's lived experiences. See the Artist Request Usage

crime scene, Dana Colston Fabric, zipper, thread, stuffing, 76’ of stuffed intestines, 2023. After having a diagnostic surgery that provided me no answers, my body truly felt like a crime scene. I decided to create a life-sized torso with a zipper in the spot where my visible surgery incision was. Because all of my issues seem to point back to my tummy, I decided to create intestines, filling the body with them to symbolize the feeling that I constantly feel overwhelmed and filled by my health issues. I then put countless hours into creating the 76 feet of intestines: sewing them, flipping them inside out, and stuffing them. I created this sense of interactivity to symbolize support I receive and its positive impact on me, but even with the support, my body will never be the same. See the Artist Request Usage

Sink, Dana Colston Found sink, dremel, sander, mallet, muriatic acid, 2024. Over the course of my childhood, I spent countless hours at the dentist to treat my lack of enamel on my teeth. To recreate this, I damaged a sink, taking off the top layer and exposing it for the acid to be able to corrode it. See the Artist Request Usage

Sage Park Topics / Themes: Feminism, LGBTQ+, Racial Justice, Abortion Rights Mediums: Mixed Media, Graphic Design, Charcoal, Ink, Acrylic Paint I care about these particular social issues because I’m a POC woman living the United States, meaning my rights and the rights of my communities are always going to come at a disadvantage. Through experiencing sexism and racism in various ways throughout my life, I’ve grown up knowing that my happiness and comfort won’t be important in the eyes of society, because of the way I was born. However, I also believe that as a first gen immigrant, I have a voice and I deserve a valuable standing within my work, which is why I do everything I can to create and make art voicing my life experiences as well as issues that I’m passionate about. Art has been the one consistent thing in my life as it’s given me it’s trials and tribulations, and it’s all that I have, so I intend to let it be my voice and my dream. @sxgee.png Selected Works

Rebirth, Ian O'Hara Digital photography, 2023. See the Artist Request Usage

Crossing Over, Kierra Reese Ink, acrylic paint, 2023. See the Artist Request Usage