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Mental Health Mental Health Weathered, Patrick Jang Film and animation, 2023. And the Other is a Beast, Cynthia Zhou Oil paint on linen, 3 ft. x 5 ft., 2021. Portrait No. 2, Derek Sun Digital photography, Adobe Photoshop, 2023. Key, Derek Sun Installation, 2023. Portrait No. 1, Derek Sun Digital photography, Adobe Photoshop, 2023. Like High, Ian O'Hara Digital photography, 2023. this is not supposed to be a representation of my home, Gray Baker Brown craft paper, paint, charcoal, collage, yarn, broken objects that would fill a home, LED lights, a plaster cast of the artist's legs, and a monitor playing a video of the artist in the early stages of creating the environment, 2023. The Anxiety of Being, Irene Ho Charcoal, 2023. Browse by Artist Ian O'Hara Cynthia Zhou Irene Ho Gray Baker Derek Sun Patrick Jang

Women/Girls' Rights Women / Girls' Rights Misguided, Merritt Crumpton Quilt, acrylic paint, embroidery thread, band-aids, candy wrappers, 2020. Hey Girl! Gray Baker Yarn, embroidery, beading, 2023. Labor, Sage Park 0.03 and 0.05 copic multiliner pens, 2024. Browse by Artist Gray Baker Sage Park Merritt Crumpton

Kierra Reese Kierra Reese Topics / Themes: Civil Rights, Prejudice against Minorities Mediums: Mixed Media, Graphite, Acrylic Paint, Watercolor My artwork revolves around how my identity and experience in the world affect me and what I believe I am. A common device in my artwork is a red sting usually penetrating through my skin. The red string is sewn into the canvas and presented as self-imposed, illustrating how my mind physically holds me back. Another common motif in my works is using graphite and watercolor to contrast a particular message, time, or belief. For example, in my artwork Preconception to Progression, This Antithesis is used to confront the viewer with these two connected but contrasting thoughts. Presented with the past’s blatant intolerance of African Americans in graphite then moved by the vibrant cool tones that represent how much progress the image of African Americans has come. In American baggage, the subjects look into the eyes of the viewer carrying the struggles of being a minority in America but showing their affirmation with the information presented. K1K1.4rt (instagram) Selected Works

the beginning and the end and everything in between the beginning and the end and everything in between, Ada Simon Gouache, suede laces, 2023. See the Artist Request Usage

Racial Justice Racial Justice Preconception to progression, Kierra Reese Photography, body paint, 2023. Crossing Over, Kierra Reese Photography, 2022. American Baggage, Kierra Reese Photography, 2022. Browse by Artist Kierra Reese

Guardian of the Land, Irene Ho Gesso, acrylic, yarn, rope, conte crayon, sand and dirt from Taiwan, my footprints, 2023. This artwork draws inspiration from "Wawa no Cidal," a film that explores the journey of Taiwanese indigenous people in reclaiming their cultural identity. The piece features the face of an Ayatal elder crafted from ropes and yarn to create a map-like composition, symbolizing their belief that deceased ancestors will protect their land under modern exploitation of land fraud. To achieve a map-like texture, I employed a combination of acrylic, gesso, golden paste, Conte crayon, dirt and sand from Taiwan, and a few of my footprints in my artwork. See the Artist Request Usage

Like high , Ian O'Hara Digital photography, 2023. See the Artist Request Usage

Merit, Merritt Crumpton Bed sheets, quilt, thread, glass beads, 2022. See the Artist Request Usage

in the context of queer trauma, the ending is never good, Iris Fu Photography, 2022. See the Artist Request Usage

snapshots of a world left behind, Iris Fu Photography, 2023. See the Artist Request Usage

Autopilot, Ian O'Hara Digital photography, 2023. See the Artist Request Usage

this is not supposed to be a representation of my home, Gray Baker Through this piece and its performance I explore the downfalls and expectations surrounding domestic labor, queer identity, and the transition in and out of adolescence. In this space I craft a narrative in a way which is both theatrical and grounded in my experiences in various homes. I also wanted to expand on the relationship between pornography and its sustained control over teenage identity. By using brown craft paper to create the structure of these rooms I call back to early childhood and the common play activity of simulating domestic life. There is also strong use of distortion with perspective to push this idea of theater and performance of domestic structure and its dissolve from the natural world. Brown craft paper, paint, charcoal, collage, yarn, broken objects that would fill a home, LED lights, a plaster cast of the artist's legs, and a monitor playing a video of the artist in the early stages of creating the environment, 2023. See the Artist Request Usage