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Midnight Snack, Erika Kasuga Digital Drawing, 2022. See the Artist Request Usage

Key, Derek Sun Installation, 2023. See the Artist Request Usage

Name Embedded, Irene Ho Watercolor, poster color, color pencil, 2022. In a modern context, this painting poetically captures the dimming tradition of face tattooing among Taiwan's indigenous Ayatal people through a microscopic lens. The tattoos, emblematic of identity and rich cultural lineage, are rendered with the automatism technique of dripping paint and an earthly brown palette that stirs nostalgia, highlighting the discord between ancestral practices and modern life. See the Artist Request Usage

Unseen Ancestry, Irene Ho Acrylic, 2023. Mirroring the theme explored in the preceding artwork, this piece delves into the journey of identity discovery. The chaotic maelstrom of brushstrokes and glitch-like color blocks captures the internal strife and fragmentation experienced in the quest for a unified identity amidst life's intricate complexities. Symbolically, the predominant red hue punctuated by subtle hints of blue and green, signifies both the indigenous communities' symbolic color and the blood that ties individuals to a conflicted heritage, inviting contemplation on the unawareness of many Taiwanese regarding their indigenous bloodline and the potential for internal conflict and violence within the struggle for self-discovery. See the Artist Request Usage

In the Name Of, Juri Kim Photography, 2023. See the Artist Request Usage

Senior portraits 2099, Ian O'Hara Digital photography, 2023. See the Artist Request Usage

snapshots of a world left behind, Iris Fu Photography, 2023. See the Artist Request Usage

Autopilot, Ian O'Hara Digital photography, 2023. See the Artist Request Usage

this is not supposed to be a representation of my home, Gray Baker Through this piece and its performance I explore the downfalls and expectations surrounding domestic labor, queer identity, and the transition in and out of adolescence. In this space I craft a narrative in a way which is both theatrical and grounded in my experiences in various homes. I also wanted to expand on the relationship between pornography and its sustained control over teenage identity. By using brown craft paper to create the structure of these rooms I call back to early childhood and the common play activity of simulating domestic life. There is also strong use of distortion with perspective to push this idea of theater and performance of domestic structure and its dissolve from the natural world. Brown craft paper, paint, charcoal, collage, yarn, broken objects that would fill a home, LED lights, a plaster cast of the artist's legs, and a monitor playing a video of the artist in the early stages of creating the environment, 2023. See the Artist Request Usage

Woven, Irene Ho Watercolor, poster color, color pencil, procreate, 2023. In this piece, I draw inspiration from the rich tradition of embroidery within the Atayal tribe, particularly focusing on the cultural significance of bracelets. Beyond being mere adornments, these bracelets serve as profound symbols of the Atayal people's cultural heritage, intricately woven with values that resonate through each piece. Emphasizing the matriarchal essence of many Taiwanese indigenous communities, where females hold significant roles in practices such as weaving, these bracelets become a testament to the powerful unity fostered by the skilled hands of the women who, through their craftsmanship, establish profound bonds within the tribe. See the Artist Request Usage

Beyond me, Ian O'Hara Digital photography, 2023. See the Artist Request Usage

726 photos of my cat, Iris Fu Photography, 2023. See the Artist Request Usage